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I thus found that Xtrax Stems was most successful in situations where you want to retrospectively rebalance a mix. But, of course, if you didn’t want to change anything, you wouldn’t be using Xtrax Stems and the further you depart from the original mix, the more artifacts become apparent. The cardinal principle behind Audionamix’s technology is that as long as you don’t change anything, the individual stems will sum perfectly to recreate the original mix, and this is self-evident on playing back the track.
If this happens, there’s not much you can do about it.Īs to how good the results of the separation are, it really depends on what you’re hoping to achieve. Where the source material does contain the expected ingredients, Xtrax Stems usually does a reasonably good job of deciding what’s what, but it is not infallible, and quite often you’ll find that parts of a synth lead are treated as Vocals, or that backing vocals find themselves in the Music stem. Being the awkward sort, I naturally tried it out on a track that only contained acoustic guitar and vocals understandably, it detected the guitar transients as Drums and the sustain portion of the notes as Music. The three stems you get back are always labelled Drums, Music and Vocals, which suggests that Xtrax Stems is mainly targeted at people who want to separate pop and rock tracks into their constituent tracks for remixing, or for educational purposes such as figuring out a tricky guitar part. If you don’t like the way the first algorithm handled your audio, you can select a different one and have it analysed again, but you’ll be at the back of the queue.
Sometimes there can be a wait before analysis starts, too, presumably while the queue at Audionamix’s end is dealt with.
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While the upload and download times are usually pretty swift, the actual analysis can take several minutes if you choose one of the HQ algorithms. Simple mixer controls then let you adjust the playback level and pan position of each stem, and there are also mute and solo controls.
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The file is uploaded to Audionamix’s servers, where their proprietary software gets to work on it, and three separate stem tracks are then returned to the application. You simply drag and drop an audio file onto its single window, and select one of four processing algorithms labelled Automatic, Automatic HQ, Generic and Generic HQ. In principle, Xtrax Stems couldn’t be easier to use. This is a Mac-only utility, though as with Audionamix’s other products, the actual processing is cloud-based, and you need to log in to your Audionamix account in order to use it.
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However, not all of us can justify the outlay involved in buying Trax Pro 3 SP, or the time needed to fine-tune individual extractions and Audionamix have now catered for those of us who just want near-instant gratification at an affordable price with the new Xtrax Stems.
The more help you can give Audionamix’s extraction algorithms, the more likely you’ll end up with a clean separation of vocal and backing. Reviewed in SOS December 2017, ADX Trax Pro 3 SP is designed to facilitate the cleanest possible extraction of a sung or spoken vocal from audio that also contains other sources, and to that end, offers a considerable degree of user control. Most of these relate to extracting individual voices and instruments from audio files that contain multiple sources, and this is the focus of their current flagship product. Audionamix’s easy-to-use Mac utility promises to separate any music track into drums, music and vocals.įrench DSP wizards Audionamix specialise in doing impossible things before petit dejeuner.
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